Hell’s Kitchen graphic from Public Theater NY.

Alicia Keys is taking her musical from Off Broadway to on.

Hell’s Kitchen, Keys’ musical that currently playing a sold-out run Off Broadway, will transfer to Broadway’s Shubert Theater this spring, producers announced Monday.

Hell’s Kitchen, directed by Michael Greif, will begin previews at the Shubert Theater on Thursday, March 28th, 2024 in advance of an opening night on Saturday, April 20th. The show, scored by Keys with a book by Kirstoffer Diaz, will run at the Public Theater through January 14th, 2024. The musical includes such Keys hits as “You Don’t Know My Name,” “Fallin’,” “If I Ain’t Got You,” “No One” and “Empire State of Mind,” among others.

The official show description reads, “In a cramped apartment by Times Square, 17-year-old Ali will stop at nothing to get her piece of the New York dream. Ali’s mother is just as determined to protect her daughter from the same mistakes she made. When Ali falls for a talented young drummer, both mother and daughter must face hard truths about race, defiance, and growing up. Ali feels trapped, until the sound of a neighbor playing piano opens the door to an unexpected friendship and a radically different future.”

The critically-lauded Off Broadway cast featured Maleah Joi Moon as Ali, the character inspired by Keys, and Shoshana Bean played her mother Jersey. Casting for the Broadway run will be announced soon.Hell’s Kitchen also features music consulting by Tom Kitt, and choreography by Camille A. Brown.

Keys said in a statement, “Good things take time and for 13 years, I’ve been dreaming, developing and finding inspiration for a musical based on my experience growing up in Hell’s Kitchen, NYC. Hell’s Kitchen is inspired by my life, but it’s not a biographical story. It’s a story about family relationships and identity: Who are we? Who do we want to be? Who are we becoming?”

Keys also announced that “the score features new songs that I’m really excited to get out into the world, alongside many of my album releases that you know but you’ve never heard like this – rearranged and reinterpreted.”